Useful Texts, Academic Papers, Articles and Interviews: Orbanz E (1977), Journey to a Legend and Back: The British Realistic Film, Berlin: Volker Press, (includes an interview with Tony Garnett 63 - 76 and Jim Allen 151 - 159).

Purser A (1970), 'In at the birth of Kestrel Productions', interview with Kennith Trodd, Stage and Television Today, 25/06/70.

Quart L (1980), 'A Fidelity to the Real: An Interview with Ken Loach and Tony Garnett' Cineaste, 4: Autumn, 26 - 29.

Sandford J (1973), 'Edna and Cathy: Just Huge Commercials' Theatre Quarterly, 3:10, April - June, 79 - 85.

Sandford J (1976), Cathy Come Home, London: Marion Boyars.

Saynor J (1993), 'Imagined Communities', Sight and Sound, 3:12, 11 - 13.

Stevens T (1978), 'Reading the Realist Film', Screen Education 26, Spring 1978: 13 - 34. DAYS OF HOPE

Stevenson W (1973), 'Kes and the Press', Cinema Journal 12:2 (Spring): 48 - 55.

Taylor JR (1970), 'The Kes Dossier', Sight and Sound, 39:3, 130 - 131.

Vaines C (1978), 'Garnett's sunny interval', Screen International, 167,
2-8/12/78: 17. BLACK JACK

Williams J (4/10/70), 'Tony Garnett: Producer' Films in London, 2:35, 559.

Wilson D (1971 / 72), 'Family Life', Sight and Sound, 41:1 (Winter 1971 / 72), 50 - 51.

Wilson D (1975), 'Days of Hope', Sight and Sound, 44:3, Summer 1975: 160.

Wilson D (1980), 'Black Jack', Sight and Sound, 49:2, Spring 1980: 126 - 127.

Unauthorised Articles re: Days of Hope

'Days of Hope - Going to Extremes', The Listener, 11 September 1975.

'Jim Allen meets his critics', (edited transcript from 'Tonight' Programme),
The Listener, 9 October 1975.

'Where was the Army's heroism?', Radio Times, 208: 2708, 4 - 10/10/75: 65 (letters with a response from Tony Garnett).

'Did Garnett tell it as it was?', Radio Times, 209: 2711, 25 - 31/10/75: 65 (letters).

'History guise charge against TV Days', Screen International, 9, 01/11/75: 14.

Further Reading:

Bennett T, Boyd-Bowmann S, Mercer C, Woollacott J (eds.) (1981), Popular Television and Film, London: BFI / OU.

Brandt G (ed.) (1981), British Television Drama, Bath, Cambridge University Press.

Caughie J (2000), Television Drama, Realism, Modernism and British Culture, Oxford / New York: Oxford University Press.

Edgar D (1982), 'On drama documentary', in F Pike (ed.), Ah! Mischief, London: Faber and Faber.

Gardner C and Wyver J (1983), 'The Single Play: From Reithian Reverence to Cost Accounting and Censorship', Screen, 24: 4 - 5, 114 - 124.

Gardner C and Wyver J (1983), 'The Single Play: an afterword', Screen, 24:
4 - 5, 125 - 129.

Goodwin A and Kerr P (1983), BFI Dossier 19: Drama - Documentary, London, BFI.

Hollingsworth M and Norton - Taylor R (1988), Blacklist, Basingstoke, Macmillan.

MacCabe C (1974), 'Realism and the Cinema: Notes on some Brechtian theses', Screen, 15:2, 7 - 27.

Madden P (1981), 'Jim Allen', in Brandt GW (ed.), British Television Drama, Cambridge, Cambridge University Press.

Martin TK (1964), 'nats go home: First statement of a New Drama for Television', Encore, 48, 11:2, March / April, 21 - 33.

Nelson R (1997), TV Drama in Transition: forms, values and cultural change, Basingstoke: MacMillan Press.

Williams R (1977), 'A Lecture on Realism', Screen, 18:1, 61 - 75.

Bignall J, Lacey S, Macmurraugh - Kavanagh M (eds), British Television, Drama, Past, Present and Future, Basingstoke, Palgave.

Bream P (1972), 'Spreading Wings at Kestrel', Films and Filming, 18:6, March, 36 - 40.

Buckley P (1972), 'Family Life', Films and Filming, 18:5, (February), 52 - 54.

Davies B (1970), 'Kes', Monthly Film Bulletin, 37:435, April, 74 - 75.

Downs C (1980), 'Producers Profile: Tony Garnett', AIP & Co, April, No. 25, 21 - 22.

Eimer D (1976), 'Family Life in the Making', Jump Cut, 10/11, Summer: 41 - 45.

Fuller G (ed) (1998), 'Loach on Loach', London: Faber and Faber.

Garnett T (1965), 'Up the Junction by Nell Dunn', Radio Times 169: 28/10/65 - 05/11/65: 45

Garnett T et. al..(1966), Film versus Tape in Television Drama', Journal of the Society of Film and Television Arts, Spring, 25.

Garnett T (1998), 'Recipe for a Dust-up', Sight and Sound, 13 - 15.

Garnett T (2000), 'Contexts' in Bignall J, Lacey S, Macmurraugh-Kavanagh M (eds.), British Television Drama, Past, Present and Future, Basingstoke, Palgrave.

'The Interview: Tony Garnett', Afterimage, April, 1970.

McKnight G (ed.), (1997), Agent of Challenge and Defiance: The Films of Ken Loach, Trowbridge, Flicks Books.

Holmstrom J. 'Dockers Arise', New Statesman 77: 1981 (28/02/69): 304 - 305.

Hudson R (1972), 'Television in Britain: Description and Dissent, Interviews with Tony Garnett and John Gould', Theatre Quarterly, 2:6, April - June, 18 - 25.

Ibberson J (1969), 'Kes', Sight and Sound, 38:4 (Autumn): 214.

Levin RG (1971), 'Tony Garnett and Ken Loach', in Documentary Explorations: 15 Interviews with Film-makers, New York: Doulbeday and Company.

Lipman A (1990), 'Tony Come Home', Producer, 11: Spring, 9 - 11.

McArthur C (1975) 'Days of Hope', Screen, 16:4, 139 - 44, also in Bennett et. al. (eds.), (1981) Popular Television and Film: A Reader, London: Open University / BFI.
BLACK JACK

McAsh IF (1980), 'Total commitment to a non-star system', Screen International 230, 18/03/80: 15.

MacCabe C (1976), 'Days of Hope - A Response to Colin MacArthur', Screen 17:1,
98 - 101: also in Bennett et. al. (eds.), (1981) Popular Television and Film: A Reader, London: Open University / BFI.

MacCabe C (1977), 'Memory, phantasy, identity: Days of Hope and the politics of the past', Edinburgh '77 Magazine, Edinburgh International Film Festival, 1977: also in Bennett et. al. (eds.), (1981), Popular Television and Film: A Reader, London: Open University / BFI.

McGrath J (1977), 'TV Drama: the case against naturalism', Sight and Sound, Spring, 100 - 5. THE PRICE OF COAL

McKnight G (ed.), (1997), Agent of Challenge and Defiance: The Films of Ken Loach, Trowbridge, Flicks Books.

Macmurraugh-Kavanagh M (1997), 'Drama into news: strategies of invention in 'The Wednesday Play', Screen, 38:3, 247 - 259.

Macmurraugh-Kavanagh M (1997 / 8), 'The BBC Wednesday Play 1964 - 1970, researching and interpreting a formative moment in British television drama', Media Education Journal, 7, Winter, 10 - 14.

Martin TK (1965 - 66), 'Up the Junction and After', Contrast, Winter - Spring, 137 - 9.

Mills B (1975), 'Days of Hope' - going to extremes, The Listener, 93:2423, 11/09/75: 337 - 338.

Nash M and Neale S (1977 - 78), 'Reports from the Edinburgh Festival: Film: 'History / Production / Memory', Screen, 18:4, Winter 1977 - 78: 77 - 91.




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