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INTERFERENCE
CV: TONY GARNETT
READING BETWEEN THE LINES
The legendary Tony Garnett
has been described by Mark Thompson, the former Controller
of BBC2, as: "simply the best television drama creator
and producer there has been." His portfolio is a catalogue
of some of the most powerful, innovative and controversial
work in TV history. It ranges from the bleak social realism
of
Up the Junction, Cathy Come
Home and the feature film Kes, through the radical polemic
of Law and Order and Days of Hope, via critical police
dramas such as Between the Lines and The Cops with the
occasional detours into ground-breaking quasi-soaps such
as Ballykissangel and This Life.
Yet Garnett ranks with the
likes of Stanley Kubrick and J.D Salinger in his intense
dislike of publicity. He never gives interviews and won't
even submit an entry to Who's Who. "The less publicity,
the greater the mystique", actor Neil Pearson (Between
the Lines) told one interviewer. The third series of
The Cops begins on Monday with Attachments, Garnett's
new internet-based drama, due on Monday, September 25.
DAYS OF HOPE
Garnett was a "scholarship
boy", born in Birmingham in 1935, he studied psychology
at London University on a state scholarship. After graduating
he became an actor and was soon working in television.
Picked up by the left wing drama teams that flourished
under Sir Hugh Canton-Greene, his first television role
came in 1960, a soldier in Troy Kennedy Martin's first
TV play, Incident at Echo Six. He had small parts in
Z Cars and Peter Dews's memorable Shakespeare history
series, The Age of Kings. His friend Don Taylor -described
him as: "a passionate young Marxist ... a good, sharp
performer with ... a Brummie twang. . . a working-class
intellectual, ferociously intelligent and witheringly
ambitious.'
But according to Taylor, Garnett
was a good rather than a superb actor and may have made
the move into production as an alternative route to greatness.
His reputation, along with Ken Loach's, was established
with Up the Junction and consolidated by Cathy Come Home
and Kes
TONY COME HOME
Later work such as Law and
Order and the historical drama Days of Hope (which he
made with the writer and former navvy, Jim Allen) proved
intensely controversial. Finding himself in an unsympathetic
political and financial climate, he accepted work in
Hollywood with Universal Studios. Some say this was part
of a midlife crisis, and the episode certainly did not
produce his most memorable work. He was still depressed,
apparently, when he returned to England in 1990, to help
the education of his second son.
A FAIR COPS?
Garnett's career surged back
into overdrive with Between the Lines, the series on
police corruption that greatly discomforted many in the
service. All his productions are exhaustively researched,
but the Greater Manchester Police have been equally displeased
by the "scrote" - bashing bobbies - of The Cops, the
more so because Garnett's dramas often look more like
reality television than documentaries do. But as Ballykissangel
and This Life testify, he has what Gub Neal of Channel
4 called "an extraordinary ability to tap into what's
contemporary at any particular time." See Attachments.
PAUL HOGGART (THE TIMES THURSDAY
SEPTEMBER 14TH 2000)
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