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| Useful
Texts, Academic Papers, Articles and Interviews: |
Orbanz
E (1977), Journey to a Legend and Back: The British Realistic
Film, Berlin: Volker Press, (includes an interview with
Tony Garnett 63 - 76 and Jim Allen 151 - 159).
Purser
A (1970), 'In at the birth of Kestrel Productions',
interview with Kennith Trodd, Stage and Television
Today, 25/06/70.
Quart
L (1980), 'A Fidelity to the Real: An Interview with
Ken Loach and Tony Garnett' Cineaste, 4: Autumn, 26
- 29.
Sandford
J (1973), 'Edna and Cathy: Just Huge Commercials' Theatre
Quarterly, 3:10, April - June, 79 - 85.
Sandford
J (1976), Cathy Come Home, London: Marion Boyars.
Saynor
J (1993), 'Imagined Communities', Sight and Sound,
3:12, 11 - 13.
Stevens
T (1978), 'Reading the Realist Film', Screen Education
26, Spring 1978: 13 - 34. DAYS OF HOPE
Stevenson
W (1973), 'Kes and the Press', Cinema Journal 12:2
(Spring): 48 - 55.
Taylor
JR (1970), 'The Kes Dossier', Sight and Sound, 39:3,
130 - 131.
Vaines
C (1978), 'Garnett's sunny interval', Screen International,
167,
2-8/12/78: 17. BLACK JACK
Williams
J (4/10/70), 'Tony Garnett: Producer' Films in London,
2:35, 559.
Wilson
D (1971 / 72), 'Family Life', Sight and Sound, 41:1
(Winter 1971 / 72), 50 - 51.
Wilson
D (1975), 'Days of Hope', Sight and Sound, 44:3, Summer
1975: 160.
Wilson
D (1980), 'Black Jack', Sight and Sound, 49:2, Spring
1980: 126 - 127.
| Unauthorised
Articles re: Days of Hope |
'Days of Hope - Going to Extremes', The Listener, 11 September
1975.
'Jim
Allen meets his critics', (edited transcript from 'Tonight'
Programme),
The Listener, 9 October 1975.
'Where
was the Army's heroism?', Radio Times, 208: 2708, 4
- 10/10/75: 65 (letters with a response from Tony Garnett).
'Did
Garnett tell it as it was?', Radio Times, 209: 2711,
25 - 31/10/75: 65 (letters).
'History
guise charge against TV Days', Screen International,
9, 01/11/75: 14.
Bennett
T, Boyd-Bowmann S, Mercer C, Woollacott J (eds.) (1981),
Popular Television and Film, London: BFI / OU.
Brandt
G (ed.) (1981), British Television Drama, Bath, Cambridge
University Press.
Caughie
J (2000), Television Drama, Realism, Modernism and
British Culture, Oxford / New York: Oxford University
Press.
Edgar
D (1982), 'On drama documentary', in F Pike (ed.),
Ah! Mischief, London: Faber and Faber.
Gardner
C and Wyver J (1983), 'The Single Play: From Reithian
Reverence to Cost Accounting and Censorship', Screen,
24: 4 - 5, 114 - 124.
Gardner
C and Wyver J (1983), 'The Single Play: an afterword',
Screen, 24:
4 - 5, 125 - 129.
Goodwin
A and Kerr P (1983), BFI Dossier 19: Drama - Documentary,
London, BFI.
Hollingsworth
M and Norton - Taylor R (1988), Blacklist, Basingstoke,
Macmillan.
MacCabe
C (1974), 'Realism and the Cinema: Notes on some Brechtian
theses', Screen, 15:2, 7 - 27.
Madden
P (1981), 'Jim Allen', in Brandt GW (ed.), British
Television Drama, Cambridge, Cambridge University Press.
Martin
TK (1964), 'nats go home: First statement of a New
Drama for Television', Encore, 48, 11:2, March / April,
21 - 33.
Nelson
R (1997), TV Drama in Transition: forms, values and
cultural change, Basingstoke: MacMillan Press.
Williams
R (1977), 'A Lecture on Realism', Screen, 18:1, 61
- 75. |
|
Bignall
J, Lacey S, Macmurraugh - Kavanagh M (eds), British Television,
Drama, Past, Present and Future, Basingstoke, Palgave.
Bream
P (1972), 'Spreading Wings at Kestrel', Films and Filming,
18:6, March, 36 - 40.
Buckley
P (1972), 'Family Life', Films and Filming, 18:5, (February),
52 - 54.
Davies
B (1970), 'Kes', Monthly Film Bulletin, 37:435, April,
74 - 75.
Downs
C (1980), 'Producers Profile: Tony Garnett', AIP & Co,
April, No. 25, 21 - 22.
Eimer
D (1976), 'Family Life in the Making', Jump Cut, 10/11,
Summer: 41 - 45.
Fuller
G (ed) (1998), 'Loach on Loach', London: Faber and Faber.
Garnett
T (1965), 'Up the Junction by Nell Dunn', Radio Times
169: 28/10/65 - 05/11/65: 45
Garnett
T et. al..(1966), Film versus Tape in Television Drama',
Journal of the Society of Film and Television Arts, Spring,
25.
Garnett
T (1998), 'Recipe for a Dust-up', Sight and Sound, 13
- 15.
Garnett
T (2000), 'Contexts' in Bignall J, Lacey S, Macmurraugh-Kavanagh
M (eds.), British Television Drama, Past, Present and
Future, Basingstoke, Palgrave.
'The
Interview: Tony Garnett', Afterimage, April, 1970.
McKnight
G (ed.), (1997), Agent of Challenge and Defiance: The
Films of Ken Loach, Trowbridge, Flicks Books.
Holmstrom
J. 'Dockers Arise', New Statesman 77: 1981 (28/02/69):
304 - 305.
Hudson
R (1972), 'Television in Britain: Description and Dissent,
Interviews with Tony Garnett and John Gould', Theatre
Quarterly, 2:6, April - June, 18 - 25.
Ibberson
J (1969), 'Kes', Sight and Sound, 38:4 (Autumn): 214.
Levin
RG (1971), 'Tony Garnett and Ken Loach', in Documentary
Explorations: 15 Interviews with Film-makers, New York:
Doulbeday and Company.
Lipman
A (1990), 'Tony Come Home', Producer, 11: Spring, 9 -
11.
McArthur
C (1975) 'Days of Hope', Screen, 16:4, 139 - 44, also
in Bennett et. al. (eds.), (1981) Popular Television
and Film: A Reader, London: Open University / BFI.
BLACK JACK
McAsh
IF (1980), 'Total commitment to a non-star system', Screen
International 230, 18/03/80: 15.
MacCabe
C (1976), 'Days of Hope - A Response to Colin MacArthur',
Screen 17:1,
98 - 101: also in Bennett et. al. (eds.), (1981) Popular
Television and Film: A Reader, London: Open University /
BFI.
MacCabe
C (1977), 'Memory, phantasy, identity: Days of Hope and
the politics of the past', Edinburgh '77 Magazine, Edinburgh
International Film Festival, 1977: also in Bennett et.
al. (eds.), (1981), Popular Television and Film: A Reader,
London: Open University / BFI.
McGrath
J (1977), 'TV Drama: the case against naturalism', Sight
and Sound, Spring, 100 - 5. THE PRICE OF COAL
McKnight
G (ed.), (1997), Agent of Challenge and Defiance: The
Films of Ken Loach, Trowbridge, Flicks Books.
Macmurraugh-Kavanagh
M (1997), 'Drama into news: strategies of invention in
'The Wednesday Play', Screen, 38:3, 247 - 259.
Macmurraugh-Kavanagh
M (1997 / 8), 'The BBC Wednesday Play 1964 - 1970, researching
and interpreting a formative moment in British television
drama', Media Education Journal, 7, Winter, 10 - 14.
Martin
TK (1965 - 66), 'Up the Junction and After', Contrast,
Winter - Spring, 137 - 9.
Mills
B (1975), 'Days of Hope' - going to extremes, The Listener,
93:2423, 11/09/75: 337 - 338.
Nash
M and Neale S (1977 - 78), 'Reports from the Edinburgh
Festival: Film: 'History / Production / Memory', Screen,
18:4, Winter 1977 - 78: 77 - 91. |
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